Wednesday, February 26, 2014

Stranger Than Fiction

Stranger Than Fiction was an interesting movie, to say the least.  The film was a perfect specimen to be observed in a class devoted to the relationship between film and literature, as it focused on the relationship between character and author.  Harold Crick becomes aware that he is apart of a story when he begins to hear the voice of his author, Karen Eiffel, narrating his life.  This causes a great change in Harold’s life, which could only be described as dull.  Though content with his life, Harold wasn’t really making anything out of his life, but that quickly changes when he learns of his imminent death. 



I find it interesting how the narrator’s voice put events into motion, but Harold is left alone to react.  He is told that his death is imminent, but he is then free to do as he pleases.  Harold is free to do with the rest of his life as he pleases, he could eat nothing but pancakes if he wanted to.


Eiffel’s decision to kill Harold Crick puts everything into play, and so the story seems takes one path based on the decisions Harold makes as a result.  Though Eiffel is seemingly in full control over Harold’s life, his choices change his “fate” that Eiffel puts in effect.  Ultimately Harold’s search for an answer, his acceptance of the situation, decision to live his life, run-in with his author, and his willingness to die changes his outcome.  This is how I perceive life, certain events are put into place, and our choices affect the outcome.  Granted things could occur several different ways, we can only make the choice once, meaning it will happen a certain way.  This makes it seem as though there is an unchanging fate.  Eiffel put his life into motion when she stated his death was imminent, and Harold was left shouting to the voice that told him he would die.  He was free to do whatever he choose to do with his remaining time, but Eiffel occasionally would intervene and put new events into play. 



Eiffel could very well have set Harold and Ana in motion, but it was up to Harold to make things turn out.  He could try to avoid fate, or maybe chosen to ignore the voice, and that probably would have changed everything.  How much power did Eiffel have?  How much did Harold’s choices play into his change of fate?